16.10.25
The Girlboss Went to an NGO, and Nothing Changed
In this Open Column submission, Amira Khanifah lets out a critical reassessment on how several empowering vocabs might actually be wrongly utilized to serve patriarchal agendas instead.
In this Open Column submission, Amira Khanifah lets out a critical reassessment on how several empowering vocabs might actually be wrongly utilized to serve patriarchal agendas instead.
Menuju hari-hari Jakarta Film Week 2025, kami menyempatkan untuk berbincang dengan Claresta Taufan, Festival Ambassador, mengenai geliat film Indonesia belakangan ini, hingga (tentu saja) sang festival.
In this Open Column submission, Joycerlyn Chancellor doubles down on exposing the double standards that polices family planning which disregards personal preferences.
We had a brief chat with the higher-ups of Study: Osaka Kansai International Art Festival, Daisuke Suzuki (General Producer) and Hiroaki Sumiya (Communications Director) to explore just how Kansai and Kanto regions share (and differ) in terms of creative pursuits.
In this Open Column submission, Marvel Maximus weighs the issue in cinema wherein fiction could be exploited by those holding political power through propaganda, despite reliable reports proving otherwise.
Pelteras mengajak kami menembus kabut nada disonan untuk menemukan cerita tentang harapan dan suara yang lahir dari kegelapan, posisi mereka di tengah laju AI, hingga peran visual dalam membingkai suara.
