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During Study: Osaka Kansai International Arts Festival, we had an email interview with Teppei Kaneuji, artist and sculptor that is based in Kyoto, where we talked about how Kansai has this air of alternativeness that could be felt throughout the region—which also found its way to his crafts.
In this Open Column submission, Stevie Chantanu puts on her hope-tinted glasses to shine light for those in need of another way to see and cope with the endless dread that is work (and the LinkedIn-propelled codes of professionalism at workplace scenarios).
With 88rising's Marketing Lead, Angela Chiu, we had an up close and personal look at how Thailand is really shaping up to be the ecosystem built for aspiring and thriving musicians, all which has a lot to do with 88rising, Future Asian Music, and their collaborators.
In this Open Column submission, Alavi Ali drew the line between popular, formative songs of different generations and how each respond to its state of time, while also putting forward of Gen Z's insistence on freedom, autonomy, and freedom of expression.
In this Open Column submission, Joycerlyn Chancellor unpacks a personal recollection and critic towards the 'Chindo' beauty standards, while also recounting her journey in leaving this unrealistic beauty standards behind.
Melihat, mendengarkan, dan merasakan berbagai dinamikanya dalam berkarya, kami mendalami ketajaman indera Anton Ismael yang beliau salurkan lewat masakan dan cerita-cerita yang terkandung di dalamnya.
